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UNITAR
Roundtables
Speaker:
Julia Cassim
Senior Research
Fellow
The Royal College of Art
Helen Hamlyn Centre, London
"Ensuring Cognitive and Physical Access to the Cultural Heritage"
Date: 14
February
2008
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Julia
Cassim studied at Manchester College of Art and Design and then at
Tokyo University of Fine Arts and Music on a Japanese Ministry of
Education postgraduate sculpture scholarship. She has an MPhil from
the International Centre for Heritage Studies, University of
Newcastle upon Tyne, is a Fellow of the Royal College of Art and
consultant to the Natural History Museum, London. From 1971-1998,
she was resident in Japan. She was arts columnist of The Japan
Times, wrote widely for other publications and founded Access
Vision, a non-profit organisation for visually impaired people
engaged in research on alternative modes to access and interpret
museum collections of art and artefacts. She curated and designed
award-winning exhibitions for audiences with visual impairments and
learning disabilities. ‘Into the Light - Museums and their Visually
Impaired Visitors’, her book published by Shogakkan in 1998, draws
on this experience. Since 2000 she has worked at the Helen Hamlyn
Centre, a centre for inclusive design at the Royal College of Art,
London. (www.hhc.rca.ac.uk) where her research focus is the
involvement of disabled people in the mainstream design and
innovation process.
Roundtable Topic
Museums are the major public repositories of a nation’s cultural
heritage. The way in which they display and interpret the treasures
within them express how the past is seen and how the present and
future areinterpreted. But it is in their public outreach to their
visitors and audiences that have been traditionally excluded that
they best express their mission,
irrespective of the size or grandeur
of their collections. The presentation will explore the evolving
role of the museum as a major resource of community learning in
particular for audiences that have in the past been excluded. It
will highlight some of the inspiring ways in which museums in the UK
and Japan have reached out to such audiences centering on
initiatives aimed at audiences,
with visual impairments and learning disabilities.
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